Kang Mak from Pee Mak (2024)

Kang Mak from Pee Mak (2024)

Score: 5 / 10
Category: Movie
Platform: Netflix

One-line verdict

A decent horror-comedy with heart but overshadowed by its own sequel and weakened by messy continuity.


Why I watched this

After enjoying Kang Solah, I realized it was tied to an earlier film. So naturally I went back to watch this one first. I went in excited, expecting something tighter since this is the original.

Expectation can be dangerous.


Story & Setup

The story follows five soldiers returning from war. One of them, Mak (Makmur), is desperate to get home because his wife is pregnant. What he doesn’t know is that she died during childbirth and has become a ghost, waiting for his return.

When Mak comes back with his friends, he lives in denial while the rest slowly suspect something is wrong.

It’s a simple setup. Romance mixed with horror, layered with comedy.


What worked

  • The romance angle lands. Mak’s loyalty to his wife is genuinely touching.
  • The emotional theme of refusing to let go is strong.
  • The folklore element is solid.
  • You can see why this became popular.

What didn’t

The humour didn’t hit as hard as the sequel. It felt slightly awkward at times. That surprised me.

The horror also didn’t feel as impactful. But I’ll admit — watching the sequel first probably killed any element of surprise. I already knew who survives. That removes tension immediately.

Continuity is also messy. Soleh appears here as a lecherous side character chasing Mak’s wife. In the sequel, he becomes the lead and his backstory is retconned. That inconsistency bothers me.

Then there’s the after-credit scene where the entire crew become ghosts decades later. It felt clever at the time, but knowing there’s a sequel after that makes it age poorly.

You can’t set rules and break them later without consequence. That’s something I’m strict about.


Final thoughts

This isn’t a bad movie. It’s just… uneven.

The romance is strong. The folklore base is solid. But the comedy and horror don’t fully land, and the continuity issues weaken it in hindsight.

Because of that, this sits at a 5 / 10.

Ironically, the sequel improved on it in many ways.

Sometimes the follow-up does it better.

And sometimes watching out of order changes everything.